American Painter, 1864-1926 American painter and sculptor. In 1880 he left his upper-class home in St Louis for Montana Territory. He worked briefly on a sheep ranch, spent two years as a hunter's and trapper's assistant and then became a cowboy. During his considerable spare daytime hours he painted, sketched and modelled small animal figures in clay (e.g. Antelope, 1915; Fort Worth, TX, Amon Carter Mus.). Although he painted a few exceptional oils and watercolours prior to 1900, the vast majority of his best work was done in the last two decades of his life. Typically the subject-matter centres around cowboy life (e.g. Wagon Boss, 1909; Tulsa, OK, Gilcrease Inst. Amer. Hist. & A.) and the Plains Indians, for whom he had great respect. The luminous Piegans (1918; Denver, CO, Mus. W. A.), with its depiction of the Plains Indians, is a reminder of the vastness of the American West. Russell's sense of humour and empathy for his subject-matter radiates from his paintings as pleasingly as do the clear colours of the high country. His bronze sculptures (e.g. Buffalo Hunt, 1905; Denver, CO, Mus. W. A.) depict the same dramatic and tension-packed themes as his paintings.  Related Paintings of Charles M Russell :. | Joe Kipp-s Trading Post | Bruin Not Bunny | When Horse Flesh Comes High | The Weaver | Watcher of the Plains |
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Gerard van Spaendonck
(22 March 1746 - 11 May 1822) was a Dutch painter. Gerard was born in Tilburg, an older brother of Cornelis van Spaendonck (1756-1840), who was also a renowned artist. In the 1760s he studied with decorative painter Willem Jacob Herreyns (also known as Guillaume-Jacques Herreyns) (1743-1827) in Antwerp. In 1769 he moved to Paris, and in 1774 was appointed miniature painter in the court of Louis XVI. In 1780 he succeeded Madeleine Françoise Basseporte (1701-1780) as professor of floral painting at the Jardin des Plantes, and shortly afterwards was elected a member of the Academie des beaux-arts. Gerard van Spaendonck painted with both oil and watercolors. He contributed over fifty works to the Velins du Roi, which was a famous collection of botanical watercolors possessed by French royalty. From 1799 to 1801 he published twenty-four plates of his Fleurs Dessinees d'apres Nature (Flowers Drawn from Life), which were high-quality engravings for students of floral painting. Today, Fleurs Dessinees d'apres Nature is a highly treasured book on floral art. In 1788 Spaendonck was appointed adviser to the Academie, and in 1795 he became a founding member of the Institut de France. In 1804 he received the Legion d'honneur and soon afterwards was ennobled by Napoleon Bonaparte. He died in Paris.